Film Format: 16mm

  • Epitaph

    Epitaph is an examination of site and memory. It follows the effects of plate tectonics on the landscape of Chile – the filmmaker’s birthplace – and the small and large cycles of destruction and rebuilding the ever-present earthquakes trigger. Filmed in both Chile and on the Tablelands in Canada, a site central to the modern understanding of plate tectonics, Epitaph incorporates eco-processed 16 mm footage, video, documents from public and private archives, and found footage to weave an epitaph to a home in the process of leaving the filmmaker, first as a result of exile and then to the gradual…

  • Home for Christmas

    “Here is the quintessential Hancox ‘personal documentary,’ a film in which both the production and role of traditional documentary and autobiographical filmmaking are thrown into question. Using his camera to record a visit out east by train to spend Christmas with the family, Hancox …. used his familiarisation with the annual rtitual as a form of a script… Although we see the journey through the subjective judgement of Hancox’s eyes, it is his intent to transfer the material from original event to camera, to editing, and finally to the audience, so that the personal content of the film… becomes universal.”…

  • Resting Place

    For those living with invisible illness we often find ourselves repetitively returning to rest. Resting Place captures the filmmaker returning to bed, reflecting on their experience living with chronic illness. The work utilizes multiple exposures to illustrate the ritual of rest.

  • Home Movie

    Mostly close-up views of my house and family. (PL)

  • Home Was Never Like This

    Step-printed images of a “home” – a suburban house, no people in sight – combine with a children’s story, told in saccarine tones, about the country mouse who discovers that “there’s no place like home.” A gently told tale of alienation.

  • Arabic Numeral Series – Arabic 1

    This series of films, each extraordinarily unique from every other (except “0 + 10” going together) is inspired and governed by strata of the mind’s moving-visual-thinking different from that of the “Roman Numeral Series” or perhaps one should say that the Arabic Numerals come to fruition thru some tree-of nerves separate from that which gave birth to the Romans (as it is physiologically deceptive to think of thought as existing in “layers”). The Arabics range in length from approximately 5 min. to 32 min. and may be projected at 24 fps as well as 18, tho’ the latter speed seems…

  • Homebelly

    “Homebelly” combines waking dreams with unsettling fragments of this and that. An icy soundscape is set to a live-action animated drama featuring a sleeping body and a persistant rock.

  • Honey Moccasin

    The first of its kind in Canada made by an Aboriginal filmmaker, “Honey Moccasin” is set on the fictional Grand Pine Indian Reservation (aka “Reservation X”) and employs a hybrid pastiche of styles that depicts the rivalry between two bars, the Smoking Moccasin and the Inukshuk Cafe, the tale of closeted drag queen/powwow clothing thief Zachery John (illy merasty), and the travails of the crusading investigator/storyteller Honey Moccasin (Tantoo Cardinal). An irreverent parody of familiar narrative strategies, “Honey Moccasin” forges an oppositional aesthetic via its reappropriation of the conventions of melodrama, performance art, cable access, and a “whodunit” style to…

  • Horseman, the Woman and the Moth, The

    A long myth drawn directly onto the film’s surface, which is painted, dyed, treated so that it will grow controlled crystals and mold – as textures of the figures and forms of the drama – some images stamped thru melted wax crayon techniques, some images actual objects (such as moth wings) collaged directly on the celluloid… so that the protagonists of this myth (as listed in the title) weave thru crystalline structures and organic junglesof the colourful world of hypnogogic vision – edited into “themes and variations” that tell “a thousand and one” stories while, at the same time, evoking…

  • Horseplay

    A half-horse, half-man pursues a young woman who turns herself into the same figure. Using a spare animation style, Straiton deals with a mythological subject that reveals his personal sense of humour. A beautiful film, set to original music, that is stunning in its simplicity.