Film Format: Digital File

  • Investigation of a Flame

    On May 17, 1968 nine Vietnam War protesters, including a nurse, an artist and three priests, walked into a Catonsville, Maryland draft board office, grabbed hundreds of selective service records and burned them with homemade napalm. “Investigation of a Flame” is an intimate, experimental documentary portrait of the Catonsville Nine, this disparate band of resisters who chose to break the law in a defiant, poetic act of civil disobedience. A series of informal, yet charged conversations with members of the group encourages viewers to ask their own questions about the relevance of such events today. How did the photos, trial…

  • Tornado

    A tornado is a spinning cyclone of nature. It stampedes like an angry bull through a tranquil pasture of blue violets and upright blades of grass. A tornado kills with abandon but has no will. Lynne Sachs’ “TORNADO” is a cine-poem shot from the perspective of Brooklyn, where much of the paper and soot from the burning towers fell on September. Sachs’ fingers obsessively handle these singed fragments of resumes, architectural drawings and calendars, normally banal office material that takes on a new, haunting meaning. Walker Art Center, Artist Television Access, Ann Arbor Film Festival, Wisconsin Film Festival, List Art…

  • Atalanta: 32 Years Later

    A retelling of the age-old fairy tale of the beautiful princess in search of the perfect prince. In 1974, Marlo Thomas’ hip, liberal celebrity gang created a feminist version of the children’s parable for mainstream TV’s “Free To Be You and Me”. Now in 2006, Sachs dreamed up this new experimental film reworking, a homage to girl/girl romance. “Very gentle and evocative of foreign feelings.” George Kuchar In Atalanta: 32 Years Later (2006) Lynne Sachs takes as source material the 1974 TV show Free To Be You and Me—already an update on the classic tale of the “beautiful princess in…

  • Noa, Noa

    Over the course of three years, Sachs collaborated with her daughter Noa (from 5 to 8 years old), criss-crossing the wooded landscapes of Brooklyn with camera and costumes in hand. Noa’s grand finale is her own rendition of the bluegrass classic “Crawdad Song”. Screening: Anthology Film Archive, New York, May 2006

  • The Small Ones

    During WWII, the US Army Graves Registration Service hired the filmmaker’s Hungarian cousin, Dr. Sandor Lenard, to reconstruct the bones — small and large — of dead American soldiers. This elliptical work, which resonates as an anti-war meditation, is composed of excerpts of Sandor’s letters to Sachs’ family, highly abstracted war imagery and home movies of children at a birthday party. “Profound. The soundtrack is amazing. The image at the end of the girl with the avocado seed so hopeful. Good work.”— Barbara Hammer, filmmaker Screenings: TriBeca Film Festival, Ann Arbor Film Festival, Black Maria Film Fest (Award), Dallas Video…

  • States of UnBelonging

    The core of this haunting meditation on war, land, the Bible, and filmmaking is a portrait of Revital Ohayon, an Israeli filmmaker and mother killed near the West Bank. Director Lynne Sachs creates a film on the violence of the Middle East by exchanging letters with an Israeli friend. Together, they reveal Revital’s story through her films, news reports, and interviews, culminating in heartbreaking footage of children discussing the violence they’ve witnessed. Without taking sides or casting blame, the film becomes a cine-essay on fear and filmmaking, tragedy and transformation, violence and the land of Israel/Palestine. RECENT NEWS! Oxford University…

  • XY Chromosome Project

    The X Y Chromosome Project is the creation of artists Lynne Sachs and Mark Street. We make films and performances that use the split screen to cleave the primordial and the mediated. After returning from an inspiring week long artist retreat at the Experimental Television Center, Lynne asked Mark to collaborate with her on the creation of a piece in which they would each ruminate on the other’s visual, reacting in a visceral way to what the other had hurled on the screen. Lynne would edit; Mark would edit. Back and forth and always forward. No regrets or over-thinking. In…

  • Georgic for a Forgotten Planet

    I began reading Virgil’s Georgics, a 1st Century epic agricultural poem, and knew immediately that I needed to create a visual equivalent about my own relationship to the place where I live, New York City. The film is culled from material I collected at Coney Island, the Lower East Side, Socrates Sculpture Garden in Queens, a Brooklyn community garden and a place on Staten Island that is so dark you can see the three moons of Jupiter. It is a homage to a place many people affectionately and mysteriously call the big apple. Screenings: Palais de Glace, Museo National de…

  • Cuadro por Cuadro

    In “Cuadro por caudro”, Lynne Sachs and Mark Street put on a workshop (taller in Spanish) with a group of Uruguan media artists to create handpainted experimental films in the spirit of Stan Brakhage. Sachs and Street collaborate with their students at the Fundacion de Arte Contemporaneo by painting on 16 and 35 mm film, then bleaching it and then hanging it to dry on the roof of the artists’ collective in Montevideo in July, 2009.

  • The Last Happy Day

    A portrait of a doctor who saw the worst of society and ran The Last Happy Day is an experimental documentary portrait of Sandor (Alexander) Lenard, a Hungarian medical doctor and a distant cousin of filmmaker Lynne Sachs. In 1938 Lenard, a writer with a Jewish background, fled the Nazis to a safe haven in Rome. Shortly thereafter, the U.S. Army Graves Registration Service hired Lenard to reconstruct the bones — small and large — of dead American soldiers. Eventually he found himself in remotest Brazil where he embarked on the translation of “Winnie the Pooh” into Latin, an eccentric…