Film Format: Digital File

  • How To Clean Your Closet

    How To Clean Your Closet combines glitched clips from adult films with sound bites from an old tape cassette with the same title. Cleaning your closet couldn’t be more fun!

  • La Montagne

    Repeated gesture of panoramic representation becomes abstraction. This film takes place on the Kondiaronk Belvedere where people come to see the Montreal skyline and its surrounding landscape.

  • A Letter from Huami

    In 2069, a few rolls of films were found in a regeneration center occasionally. Then scientists extracted the genes from the hair which were left on the films to give a cat -Huami a new life. With human’s consciousness and the memories which belongs to the past time, Huami wrote a letter to her owner in 2019…

  • Ruines

    Sur l’autoroute 15, juste à l’extérieur de Montréal, se dresse un monument à la Révolution tranquille : les écrans en décomposition du Ciné Parc Laval, ouvert en 1971, l’année où les ciné-parcs ont marqué l’histoire du Québec. En 1947, sous la pression de l’Église catholique, les ciné-parcs sont interdits au Québec. C’était la tentative de l’Église de réglementer le sexe en dehors de la sphère domestique. À l’origine un drive-in à 2 salles de cinéma, le Ciné Parc Laval est rapidement devenu 4 écrans en raison de sa popularité. Ce film utilise des segments de Frissons (1975) de David Cronenberg…

  • 75 Years

    The atomic bombings of Hiroshima and Nagasaki 75 years ago initiated The Cold War. 75 Years is a cinematic meditation on The Cold War and photography. 75 Years is comprised of surreal, evocative still photos put into motion and edited like cinematic footage. The images are often stunningly beautiful. Though not documentary, they feel like they were shot at ground zero of an annihilation. And they are sequenced to suggest such a narrative—from a Prologue to an Aftermath. All the images have some degree of motion blur, so they range from representational to abstract. At their most abstract, they look…

  • Running In O&R

    Running In O&R occupies the conjunction of three crucial arts of the 1970s: performance art, experimental dance, and independent filmmaking. Running In O&R started as a performance piece for Missing Associates, Dudar’s partnership with dancer/choreographer Lily Eng. This film was shot at the original location of the Centre for Experimental Art and Communication (CEAC), the city’s ”largest and most avant-garde” international art gallery. In Running In O&R, the performers run laps around the gallery space, keeping in step and using their natural strides. Consequently they go in and out of phase visually, as other complexities emerge. The establishing wide shot…

  • A Kiki with Bobby Bowen

    This short documentary-style interview film takes a quick look at some key terms that originated within queer Black and POC communities (such as the ballroom scene), tracing their cultural significance to contemporary mainstream popular culture.

  • Anything is Everything

    Anything is Everything is composed of sequences of disparate footage, but with threads to follow, a web on interconnections: circular shapes from outer and terrestrial space; animals and humans; words and ideas. Stuttering, flickering, blinks and blanks set bits of time and space next to each other – seeing connections from the traces. As with most of Sternberg’s films, Anything is Everything considers the questions: what is life, how do we perceive it, how as humans are we a part of the world?

  • Drawn and Quartered

    Regular 8mm footage enlarged to 16mm (literally a “drawn and quartered image”). A male form and a female form exist in their own private domains, separated by a barrier. Only for a moment does the one intrude upon the pictorial space of the other. An experiment in form/content relationships that are peculiar to the medium. “Images of a male form (on the left) and a female form (right) exist in their own private domains, separated by a barrier. Only for a moment does the one intrude upon the pictorial space of the other.” – Albert Kilchesty, LA Filmforum San Francisco…

  • Still Life with Woman and Four Objects

    A film portrait that falls somewhere between a painting and a prose poem, a look at a woman’s daily routines and thoughts via an exploration of her as a “character”. By interweaving threads of history and fiction, the film is also a tribute to a real woman – Emma Goldman. Int’l Premiere: Torino Film Festival, Italy.