Film Format: Digital File

  • Homunculi

    Filmed sporadically and intuitively during the summer months of 2020 and 2021, Homunculi is a recontextualization of a personal archive of hand processed 16mm “home movies” and various cinematographic experiments. Reassembled, these once disparate images form a cinematic prism in which to view and confront the prevalent anxieties of an increasing uncertain future. Homunculi is a visual and sonic daydream, reaching beneath the facade of domestic and pastoral tranquility to reveal a lurking, inevitable force that promises to tear the world asunder.

  • Upwards Tide

    A magical lunar reverie filmed over four years on the days and nights of the full moon, this shimmering moving-image poem fluidly combines images of the saltwater Loch Carron in the Scottish Highlands and leafy Viennese forests. The two locations blur and bleed into each other, just as the film itself (shot on gloriously outdated analogue stock) wanders freely among human bodies and bodies of water. Transcendent, transfiguring, transformative. (Neil Young)

  • Tell Me about SunTea

    Tell Me about SunTea (Super 8, Digital Video, Colour, Stereo Sound, 6 minutes and 47 seconds) Tell Me about SunTea builds a conversational and spatial ecosystem, weaving together the disparate spaces of the Toronto Islands and Covington, Texas. The film considers the life cycles of plants and animals, as discussed by the filmmaker’s Gram and as remembered by the filmmaker. Conversational obstacles and a failed interview attempt are re-imagined as off-road opportunities. The repeated voice over reveals changes in cadence and content that point to the fragile intimacy held in language and storytelling. “Considering different forms of mechanical and organic…

  • Savage / Future

    Editing to the soundscape of shaking Iroquois white corn and finger tapping, Seneca filmmaker Terry Jones uses personal and historic still images to link his family and the American Indian Residential Boarding School experience.

  • Folds of Stone

    Rock is subject to constant change. Natural forces, geodynamics, and anthropogenic interventions shape the supposedly rigid matter as an extended organism, which can only be perceived in geological thinking of time. In their short film “Folds of Stone” Nicole Krenn and Lisa Truttmann continue these thoughts: We see breathing stones, pulsating furrows, trembling rocks, material that vibrates. Microscopic landscapes dissolve in the image. Surface, materiality and structure oscillate between jagged rock edges and soft, silky fabric folds. The two artists translate a multimedia installation from an old sawmill at national park Gesäuse into the cinema space, showing the process of…

  • The Magical Quality of Armpits

    A silent foray into the most underappreciated part of the body.

  • Intersextion

    Two abstract energies fall in love, unite as one then disappear into a vanishing point. Cameraless handmade film with handmade optical soundtrack.

  • The GraveSleepers

    The GraveSleepers is an animated short film, exploring themes of transience, mortality and the human condition. Inspired by factual events that led a group of itinerants to inhabit rows of empty graves in a cemetery on the outskirts of Tehran, گور خواب ها / The GraveSleepers, is a literal title of what aims to offer a lyrical interpretation, questioning the fragile and fleeting nature of our existence against a backdrop of dust.

  • remnanthood

    A 16mm film that investigates the history and the scenery within the geographical boundaries of Regent Park

  • kauaʻi ʻōʻō

    Hawaii 1987, the Kauaʻi ʻōʻō sings its final serenade.