Film Format: Digital File

  • 1000 Brazils of Truth

    Filmmakers Sheena Rossiter and Sandro Silva perform a spoken word song that’s dedicated to São Paulo, a megacity full of paradoxes. Through archive footage they filmed between 2011 and 2017, Sheena and Sandro show the highs and lows of a country that goes from being an emerging market, economic powerhouse, to one on the brink of collapse. By the time the filmmakers decide to leave Brazil in 2017, it is a country in the midst of a seemingly never-ending political corruption scandal and the worst economic recession in over eight decades. But, despite the shortcomings, Sheena and Sandro still miss…

  • Wave

    Tender memories of a first gay embrace, of shock and exhilaration-and disavowal-animated against the waves of a deep blue lake. This animated biography tells the story of the artists’ first encounter with another boy. This was not the way his life was planned and he hoped that this feeling would eventually pass. He waited years until he finally met someone who would change his life forever.

  • Engine Complex: Bridge/Seed

    A fraught passage of the camera’s eye through fantastical architectural and psychological spaces. Somewhere between a body and a building, the lens tumbles and lurches through time and space, caught between observation and escape. Themes of construction blend with surgical examination while the joys and pains of discovery rattle with a search-and-rescue-like urgency. Where are we? Co-directed by Bryan Morello and Matthew Endler, this work emerges from a multi-level structure (called the Engine Complex) built in their shared studio. It is a playground for collaborative overlap and hosts a wide spectrum of playful set design and experimental performance activities.

  • Saving Gorillas. One Sip At A Time

    Uganda is home to the critically endangered mountain gorillas surrounded by people near their protected habitat who are also struggling to survive. Doctor Gladys Kalema – Zikusoka realized that the farmers were not being given a fair price for their coffee, which led them to use the national park to meet their basic family needs for food and fuelwood. Thinking about new opportunities for the African Community as well as saving the gorillas from diseases and poaching, she founded a social enterprise so humans and gorillas could coexist.

  • sway / pull

    Created during the COVID-19 pandemic when queer spaces were disappearing across Toronto, sway / pull is a meditation on the erosion of Hanlan’s point beach in both literal and figurative senses. Hanlan’s Point Beach, located on the Toronto Islands, was the site of Toronto first gay pride celebrations in 1970s and remains a queer haven today. Additionally, the Toronto Islands have faced poor city planning that has led to a significant amount of erosion on the beach. This film plays with the concept of erosion by the physical pushing of sand to speak back to the literal erosion of the…

  • HK Uprising

    A tribute to the ongoing protests in Hong Kong that are taking place three decades after the Tiananmen Square uprising. Note: This film can be displayed as a multi-channel installation with May 35.

  • Sad Girls In Bikinis

    Girls in bikinis are sad together.

  • Little Sky

    Little Sky follows the journey of Sky, a Chinese American pop star who returns to the city they were raised in to find their estranged immigrant father. Haunted by their childhood memories, Sky risks their non-binary identity to end the cycle of violence in their family. In the confrontation, Sky discovers something that changes how they feel about the people they love. Packed with original songs, Little Sky is a film about finding the chosen family who sees us when our blood family cannot.

  • MY FRIEND VINCE

    Vince is a street hustler. I’m the friend. Or am I? Set in raw, downtown Toronto in the early ’70’s, and co-directed by the late Howard Alk (The Murder of Fred Hampton, American Revolution II, https://en.wikipedia.org/wiki/Howard_Alk) The film explores the question of friendship in Vince’s world, a world built on cheating and lying, and then compares relationships formed in that world with relationships influenced by film making.

  • C’est à qui, cette ville?

    “C’est à qui, cette ville?” is a response to the 1984 film, “Ville, Quelle Ville?” This original super 8 film documented various places in Toronto’s east end and reflected upon a young woman’s life in the city. 38 years later, “C’est à qui, cette ville?” revisits many of the same locations and contemplates a more mature perspective on urban living. This film was shot on outdated super 8 stock which gives the image a patina of time passing. Musical score by Montreal-based artist and composer, Jackie Gallant.