Genres: Installation

  • Inventory

    Often the very things that appear to enable a sense of security, stability, and status can be disrupted, or rendered obsolete, destined to become a memory, or simply just forgotten. On the other hand, things that frame our passions while informing our dreams have the very real potential of retaining their meaning, regardless of any actual or imagined externalities. Before leaving home last July to begin an artist residency I went to pick up a couple of things at a nearby big box store only to discover that it had been closed. A crew was removing all the signs on…

  • Velocity

    I generally gravitate towards places that reveal the many layers of time when deciding on a particular location to set up my camera and tripod. This is when I like to imagine worlds that have passed, worlds that are present, and worlds that are yet to be. In 2009 Johan Rockström led the team which developed the “Planetary Boundaries Framework,” a set of 9 boundaries that they define as a “safe operating space for humanity.” These scientists assert that once certain thresholds or tipping points are passed there is a risk of “irreversible and abrupt environmental change.” In 1976 a…

  • Utopia

    The purpose of this or that, or its role in enabling a sense of security or status is ephemeral, depending on factors that may or may not be readily apparent. As systems shift from one emphasis to an other, or as one system supplants an other, the meaning of something can be altered to such a degree that a new description may be required to understand its context. Various intersections in downtown Vancouver including the Trump Tower looming over the other buildings – Fishing Boat approaches Ucluelet after some time out at sea – Afternoon clouds, Crowsnest Mountain – Lonely…

  • UUFO

    “UUFO” consists of six short chapters/stories. Each chapter describes a memory. The film deals with conflicting interpretations of China from the 1960s onwards, contrasting past generations’ stories with my own generation’s interpretations. UUFO stands for Universal Unidentified Flying Object.

  • Casted Hand

    “Casted Hand” explores the aesthetics of medicine and its relationship to the body. It can be shown as s single channel video or accompanied with the installation ‘Four Winds.’

  • Emergence

    “Emergence” is a video installation created to counter the violence of blackface in its representation of Blackness. This piece re-asserts the beauty of Blackness and challenges the reductive nature of contemporary Canadian blackface through extreme close-ups of black faces in all their diversity. Shot in extreme slow motion and projected by two projectors at a large scale on two screens, the images appear to be stills at first, but reveal themselves over time to be moving. These parts of lips, noses, eyes, posit the face as a signifying landscape. Serene images contrast with others that depict faces and arms pressed…

  • SHE IS THE OTHER GAZE

    Every encounter with an image, every interaction searches for its own form. SHE IS THE OTHER GAZE describes the encounter with female visual artists mostly of an older generation who were part of the Viennese art scene in the 1970s and were engaged in the women’s movement. In dialogue with the filmmaker and her camera they share early works and artistic practices. They remember how their self-determination evolved between artistic ambitions, economic constraints, adaptation and resistance to the prevailing patriarchal social structures. In their role as feminist pioneers the protagonists are a great influence on the contemporary art scene and…

  • Untitled

    A performance film consisting of a string of five slow motion portraits of a young woman. Each portrait varies in length and gesture as her myriad expressions invite our gaze. With each action performed in dead silence, stretched to the limits of voyeuristic levels of comfort, the simple act of looking is made fragile. A curious exchange is established between spectator, creator, and subject through a careful appropriation and reframing of social media conventions and advertising iconography transposed into a cinematic space—pointing to a cycle of regressive media consumption.

  • 16 Reasons Why I Hate Myself

    Matthew Lancit’s 16 Reasons Why I Hate Myself wryly plays with the concept of selfhood, traversing themes such as neuroticism, introspection and self-denigration. By allowing us an intimate look at sixteen of his supposed personal flaws from the physical to the psychological, Lancit posits the idea that we do not determine our identities but rather they determine us. (Sullivan+Strumpf Gallery)

  • SENSORS

    In the summers of 2017 and 2018 record breaking forest fires dominated British Columbia with the number of forest fires in 2018 exceeding the 2017 record. One key difference between the two years was the timing of the widespread outbreaks. In 2017 the BC interior was inundated by haze and smoke as of early June while in 2018 the haze and smoke didn’t engulf the landscape until late July. Up until then the temperatures were relatively mild with enough moisture to create light conditions that were some of the most interesting I’ve seen in years. As satisfying as the early…