Film Format: Digital File

  • Leaves Like Feathers

    Leaves Like Feathers A neo-Impressionist film. A painterly film. Leaves Like Feathers was shot mostly with an iPhone Pro Max manipulated to blow out the backgrounds (sunlight) to white, and cause foreground subjects to materialize, dissolve, flash, and ‘morph’ into the light—when shot with a moving camera. The subjects are plants, mostly ferns, which are sometimes described as having ‘leaves like feathers.’ This quote came to mind while I was shooting the film: Having condensed his vision to a small area of the surface of his own lily pond, Claude Monet realized that the fragment could indeed suggest not merely…

  • Broca

    Using poetry, interviews with psychologists and survivors, and corporeal imagery, Broca is an experimental documentary hybrid that explores how the mind-body connection is altered after trauma. The Broca’s Area in the brain is involved primarily in speech production. During a traumatic event or when trying to recall a traumatic event, this area shuts down. This makes it harder for a survivor to talk about what’s happened. Our project offers a platform for survivors to tell their stories both verbally and non-verbally.

  • Linea ver

    Spring sculpts their fierce emergence. Aspen, cedar, red oak, lichen (and others) phytograms on super-8mm tri-x film. Language: plants

  • diario de verano

    diario de verano is an exploration of neighborhood flora in Tkaronto, focusing on Kensington Market, Parkdale and Wallace – Emmerson, areas we live and move through. Experimentation with abstract movement and the physical, compositional properties of foraged materials, strengthened our community/kinship to the land and each other. Artistic practices were explored and shared through gathering rituals, stop motion animation and phytograms, creating complex layers of ourselves intertwined through our latinx identities in this short film. Language: plants

  • Black Bird

    Black Bird captures a community of crows living in East Vancouver – commissioned by Echo Park Film Centre North and Cineworks for their Vancouver Minute Project 2021. The project asked filmmakers to reflect on living in so-called Vancouver, BC. Brittney chose to focus on their current and past relationship with the crows in the city. Growing up in East Van they remember seeing the magic of the sky being filled with hundreds of crows every night as they made their daily migration back to Burnaby Lake. When they reflect on their experience growing up and living in East Van the…

  • Custom Trailer Series: Austin Powers

    Exploring écriture feminine and the patriarchal biases still present in commercial cinema, “Custom Trailer Series: Austin Powers” reimagines the original Hollywood film through the structure of a starburst quilt pattern. The work exists both as a material object and the visual representation, drawing attention to the materiality of the filmstrip This is the first in a new series that reimagines Hollywood trailers as film quilts. Previous films made from quilts include c: won eyed jail (NYFF 2005) and Athyrium Filix Femina (For Anna Atkins) (NYFF 2016).

  • Salma!

    As Hadi is swept into a flood of childhood memories from Lebanon, he steps into the dreamlike whimsical world of Salma Zahore. A creature that encapsulates both the conflicts of his life and his declaration of love to the world. Neither male nor female, neither devout nor an atheist, neither dutiful nor deviant, both sexual yet celibate. Faceless, yet the face of hope for so many around them.

  • Phosphene

    Phosphene searches for the harmony between the acoustics and the image of sound. The film’s soundscape comprises natural and industrial sounds from the west coast of Canada. Inspired by these sounds, the image was created through cymatics – a process that visualizes sound vibrations through various liquid mediums.

  • Two or Three Saprophytes

    Two or Three Saprophytes is a video essay that traces a speculative history of the industrial revolution, its ecological backdrop, and its intellectual legacy of growth-based thinking. Breaking from strictly didactic or documentary forms, the film defracts its historical research through a hallucinatory poetic lens, mixing critique and fantasy to frame the interconnected histories of mushrooms, trees, coal, chemicals, machines, and capitalists as a kind of ecological ghost story. Visual and textual motifs of circles, spirals, hexagons, and “revolutions” punctuate the film, sketching associations and contrasts between historical movements, economic patterns, rotational pistons, chemical diagrams, and ecological balance. Posing a…

  • The Sky After Rain (Payam Feili)

    Based on a poem by exiled gay Iranian poet, Payam Feili, written after the arrest of his boyfriend during Iran’s 2009 Green Movement protests.