Film Format: Digital File

  • Teta, Opi & Me

    Filmed entirely with an iPhone, Teta, Opi & Me is a tribute to conformity, tolerance and courage. It is a poetic, meditative, multilingual, and feeling-driven short film, documenting the intricacies of the artist’s playful process in capturing her grandparents’ enduring romance through social, political and racial adversity. He comes from Bethlehem, Palestine and she comes from Vienna, Austria. Incorporating poetic filmic scenarios, vérité scenes, interviews, and home movies, the work is an intergenerational dialogue that explores themes of family, love, and the intermingling of cultures.

  • My Grandpa Ivan

    A professional soccer player looks back on summers in a small Bulgarian town, recalling the deep bond he shared with his grandfather, who forever shaped his love for the game.

  • A Heap of Broken Images

    This is a film about dreams: analogue, machines, anima and reanimation, nature, decay, and, if we are lucky, something new. Shot on 16mm and 35mm film and hand processed using many different analogue techniques.

  • and the story remains

    After years of silence, a woman returns to a memory she was once forbidden to recall. As she develops forgotten images, the past surfaces in fragments of light, grain, and the slow emergence of a face. The film lingers between past and present, exploring whether enforced silence can wound more deeply than the trauma itself.

  • A Semiotic Square for Violent Bear

    What does our culture dream? How can we locate that dream within the logics which govern our lives? Half collage, half essay, half serious, “A Semiotic Square for Violent Bear” is a busy, referential riff on the political moment.

  • The Gloria of Your Imagination

    New York based film artist Jennifer Reeves, known for her 16mm experiments, revisits “Three Approaches to Psychotherapy” (1965), which portrays Gloria Szymanski in sessions with three male therapists. Through found footage and tactile interventions on film, Reeves reframes the material into an empowering portrait. By adding home movies, newsreels, and advertisements, she situates Gloria’s story in context, exposing the unequal power dynamics behind the original film. Gloria emerges not as a case study but as a complex, vivid woman whose openness about her fears, desires, and contradictions still resonates today.

  • Exit & Arrival

    There are places that we seek, and there are places that find us. One can never know for sure which comes first; the seeking or the finding. Often the unexpected moment occurs, the unforeseen discovery.

  • The Sky After Rain (Shaya Goldoust)

    Based on Shaya Goldoust’s audio journals narrating her attempts at testing rigid gender boundaries, and the transphobic incidents which led to her leaving her family and motherland, Iran.

  • The Sky After Rain (Shyla Hope)

    Based on recorded audio interviews with Shyla Hope discussing her inner self journey to understanding and accepting her identity as a lesbian trans woman growing up in Iran.

  • Woven in Time

    Woven in Time features the wearable art creations of renowned Canadian fabric artist Evelyn Roth animated by her ‘moving sculpture company’ of dancers in collaboration with filmmaker Tony Westman. Evelyn won an ‘Etrog’ in the Best Art Direction category at the 1977 Canadian Film Awards for this timeless artistic classic. The allegorical visual narrative presents transformations of creatures that emerge from the sea, moving onto a vast desert landscape, then into a cocoon state only to be re-born into a lush landscape of color and eventual freedom.