Film Format: Digital File

  • Custom Trailer Series: Austin Powers

    Exploring écriture feminine and the patriarchal biases still present in commercial cinema, “Custom Trailer Series: Austin Powers” reimagines the original Hollywood film through the structure of a starburst quilt pattern. The work exists both as a material object and the visual representation, drawing attention to the materiality of the filmstrip This is the first in a new series that reimagines Hollywood trailers as film quilts. Previous films made from quilts include c: won eyed jail (NYFF 2005) and Athyrium Filix Femina (For Anna Atkins) (NYFF 2016).

  • Salma!

    As Hadi is swept into a flood of childhood memories from Lebanon, he steps into the dreamlike whimsical world of Salma Zahore. A creature that encapsulates both the conflicts of his life and his declaration of love to the world. Neither male nor female, neither devout nor an atheist, neither dutiful nor deviant, both sexual yet celibate. Faceless, yet the face of hope for so many around them.

  • Phosphene

    Phosphene searches for the harmony between the acoustics and the image of sound. The film’s soundscape comprises natural and industrial sounds from the west coast of Canada. Inspired by these sounds, the image was created through cymatics – a process that visualizes sound vibrations through various liquid mediums.

  • Two or Three Saprophytes

    Two or Three Saprophytes is a video essay that traces a speculative history of the industrial revolution, its ecological backdrop, and its intellectual legacy of growth-based thinking. Breaking from strictly didactic or documentary forms, the film defracts its historical research through a hallucinatory poetic lens, mixing critique and fantasy to frame the interconnected histories of mushrooms, trees, coal, chemicals, machines, and capitalists as a kind of ecological ghost story. Visual and textual motifs of circles, spirals, hexagons, and “revolutions” punctuate the film, sketching associations and contrasts between historical movements, economic patterns, rotational pistons, chemical diagrams, and ecological balance. Posing a…

  • The Sky After Rain (Payam Feili)

    Based on a poem by exiled gay Iranian poet, Payam Feili, written after the arrest of his boyfriend during Iran’s 2009 Green Movement protests.

  • Teta, Opi & Me

    Filmed entirely with an iPhone, Teta, Opi & Me is a tribute to conformity, tolerance and courage. It is a poetic, meditative, multilingual, and feeling-driven short film, documenting the intricacies of the artist’s playful process in capturing her grandparents’ enduring romance through social, political and racial adversity. He comes from Bethlehem, Palestine and she comes from Vienna, Austria. Incorporating poetic filmic scenarios, vérité scenes, interviews, and home movies, the work is an intergenerational dialogue that explores themes of family, love, and the intermingling of cultures.

  • My Grandpa Ivan

    A professional soccer player looks back on summers in a small Bulgarian town, recalling the deep bond he shared with his grandfather, who forever shaped his love for the game.

  • A Heap of Broken Images

    This is a film about dreams: analogue, machines, anima and reanimation, nature, decay, and, if we are lucky, something new. Shot on 16mm and 35mm film and hand processed using many different analogue techniques.

  • and the story remains

    After years of silence, a woman returns to a memory she was once forbidden to recall. As she develops forgotten images, the past surfaces in fragments of light, grain, and the slow emergence of a face. The film lingers between past and present, exploring whether enforced silence can wound more deeply than the trauma itself.

  • A Semiotic Square for Violent Bear

    What does our culture dream? How can we locate that dream within the logics which govern our lives? Half collage, half essay, half serious, “A Semiotic Square for Violent Bear” is a busy, referential riff on the political moment.